Wednesday, 28 December 2016

Science Fiction Movie Proposal

Science-Fiction Movie Proposal:
The Revenge of the Dog Shit

          It all started innocently enough. What could be more innocent than a two-year-old miniature schnoodle? Just look at its face; no jury anywhere could possibly find a two-year-old miniature schnoodle guilty of anything.
          The boy walking him around the park had a certain angelic innocence about him, too, and when Colman, the schnoodle, paused to poo beside a large tree, the boy did the legal thing and scooped it up with a plastic bag.
          He tied the neck of the plastic bag tightly into a knot, walked Colman to the nearest bin, and deposited the tied-up bag appropriately before continuing on with his boy-and-dog shared expedition around the park’s circumferential footpath.
          At the usual time the usual Council employee, an easy-going bloke named Gav who enjoyed watching sport on Sky TV – any sport, the hell with the cost – drove up in his little, yellow, purpose-built vehicle, removed the bin’s black plastic liner, which was almost full, and replaced it with a fresh one. At the end of his rounds Gav transferred all the black plastic rubbish sacks to a jumbo diesel refuse truck that the Council leased.
          The refuse truck’s driver, Gail, then drove the 75 minutes to the landfill and dumped its cargo there. Other workers, driving front-end loaders, covered the load with dirt, burying Colman’s plastic-sealed shit.
          The years groan by, the rubbish workers repeating their jobs until their retirement and replacement by new workers until that civilisation ends, as all human empires do, with Colman’s shit buried beneath hundreds of metres of rubbish, sealed off by the non-permeable, non-decomposable plastic of its bag, subjected to extreme pressure and temperature.
          Meanwhile, the bacteria in Colman’s shit begins to mutate to survive in their inhospitable environment. Then, a few hundred years later, abiogenesis – the process of life coming into being from non-life – occurs, just as it first had on Earth 4 billion or so years ago, new life emerging in the chemical soup of the mutated bacteria’s excrement and what remains of the other, well-decomposed, contents of Colman’s shit.
          The new life-form, differing in many ways from DNA-based life, gradually cross-breeds with certain strains of the mutant bacteria. Over the years this new organism becomes multicellular and eats its way through the plastic of its bag, its form of eating being to extend a pseudopod from its central blob and enveloping its food before absorbing it.
          Brown, slimy, and amorphous, it seems to be able to eat anything that exists deep under the landfill. It begins to reproduce asexually, single beings dividing into new ones. Eventually the creatures grow in size as they slither their pulsating, blobular bodies to the surface, eating everything in their path, growing to more than a metre in ever-fluctuating diameters of loathsomely gloopy formlessness.
          Shit incarnate.
          At the surface this new life-form encounters a dystopian post-apocalyptic human society populated by small tribes and clans and village-states. These of course try to fight off the advance of Colman’s shit’s progeny with all the usual combat tools and alliances and backstabbing and pathetic drama that the screenwriters’ meetings can come up with.
          The exact details, of course, would depend on the budget, available locations, who’s financing it, and the target market. Obviously, a New Zealand production might raise questions about getting Colman’s shit’s progeny overseas, but provide plenty of locations evoking environmental catastrophe. New Zealand, as we know, would be able to produce only a pittance in financing – unless someone can get PJ to run with it.
          Chinese money would mean changing everybody’s name, of course, coming up with a dystopian future agreeable to the Chinese authorities, and other peculiarities of the Chinese market. American financing would provide ample ambient dystopian locations, as that country’s current political environment could very well produce plenty in the way of public group violence by the time shooting begins, but that same instability might end up putting conflicting pressures on various story lines, especially the consequences of climate change.
          But hell, I’m nothing if not flexible.
          Let’s do lunch.
          Some place pricey. You can write the tab off on taxes.


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